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Power Rangers

Television has been entertaining people since the 1950’s. Even I was drawn

Mighty Morphin Power Rangers

into this mechanical box since the bright pixels entered my pupils. As a kid I would spend countless hours watching one of my favorite cartoons, the Power Rangers. My mother would always try to make me to watch something much more educational, like Bill Nye the Science Guy, Barney & Friends, or other didactic cartoons on the screen. She believed that by watching Power Rangers I was becoming more aggressive and unrealistic versus knowledgeable and grounded. I am fairly certain she would agree with Peter Stearns’s statement that “TV seemed to be promoting a craving for violence and fantasy among children (Pg 15).”

Despite critics such as Stearns and my mother, the Power Rangers remains a widely viewed show on the air. The first season of Power Rangers, Mighty Morphin Power Rangers, aired in 1993 and became an instant hit on Fox Kids Network. Sixteen seasons later, it has now expanded to other networks such as ABC station, Jettix, and Nickelodeon. Its latest season, Power Rangers Super Samurai, will air on February 18, 2012. The Power Rangers epic run seems to have no ending, the original creator, Haim Saban, is still working on additional seasons.

The large audience still watching the show has not discouraged viewers from labeling it as a violent action show targeting children. Nicole Jarosz claims the show promotes violence as a way to solve problems. According to Jarosz, since the Power Rangers always solve a problem by fighting and ridding themselves of the bad guy, children believe this is the way to solve problems. They fight their way out of trouble thinking everything will turn out OK with no consequences. In California State University, a study was done to find the answer to this intriguing question. Children were divided in two groups, one group was showed an episode of Power Rangers and the other was not. The groups were then released to a play and the number of acts of aggression were recorded for each child. The observers noticed that the children that saw Power Rangers were more aggressive then the ones that did not, especially the boys. It is studies like these that entices people to believe violence on television impacts the viewer. My mom may have been a tad correct after all.

 

Kid playing around as Power Rangers, until the teach ruins their fun.

Should Video Games Take A Break?

Recently an article was written about how some of the most popular video games that we know today need to “take a vacation”. Ben Silverman wrote in Yahoo! Games that game publishers year after year produce new versions of their games  to milk out every dollar from their consumers that they can. Games such as Sonic the Hedgehog and The Sims are two of the five franchises that are recommended to take a break and cool it for a while. Each game is praised for its popularity and lovability, but criticized on the fact that all the repetition is dull and overkill. As I read this, I started comparing children today and children that lived less than a hundred years ago. In the article “I’m Bored: The Two Faces of Entertainment”, Stearns (1-29), the author argues that children, over time, started becoming bored more easily and parents increasingly felt the need to entertain their children. It’s pretty crazy to think that pre World War II, children were left to roam their neighborhoods freely and had to rely on themselves to find entertainment. Kids had to use their imaginations to create characters and games. Now, youth in America is shown, from an extremely young age, the possibilities they have with technology. One stereotype of little boys in today’s society is the one who is glued to his video games and doesn’t ever see the light of day, contrasting with how little kids should be out and active all day. Now, not only do kids have access to video games, but there are literally thousands and thousands of options, all with just the slightest changes. This article is supposed to simply criticize certain video games for their overkill, but when you look at it in the context of comparing it to our youth today and the youth we’ve been studying in class, it makes you think about how extreme and sometimes ridiculous entertainment is today.

Video Game Youth from Google Images

Doll Dilemma

This is a replica of the Workout Barbie from Toy Story 3.

It appears that most decades have been marked by some sort of moral panic outbreak. Most of the time, the hysteria stems from adults fearing that some object of pop culture is harmful in one way or another to the younger generation. A February 6, 2012 article found on Reuters.com, “Aww, man! Bart Simpson joins Barbie in Iran ban”, addresses the recent move by Iran to ban the selling of “The Simpsons” dolls, as well as Iran’s last month decision to crack down on Barbies. The article states that: “The Simpsons are corroding the morals of Iranian youth” (“Aww, man! Bart Simpson joins Barbie in Iran ban”). In the article, Mohammad Hossein Farjoo, Secretary for Policy-making at the Institute for the Intellectual Development of Children and Young Adults, expresses his dissatisfaction with the longest-running American sitcom, “The Simpsons”. Farjoo is unwilling to promote this animated sitcom, and in turn has put a ban on the importation goods associated with it. The article mentions Farajoo’s disapproval of the values held by the Simpson family, which are “self-centered and irreligious” (“Aww, man! Bart Simpson joins Barbie in Iran ban”). The selfish and inappropriate conduct of one of America’s most well-known families, the Simpsons, is contrary to Iranian standards; therefore, Iranian officials deem it necessary to take all precautions in order to avoid losing their youth to “Western intoxication” (“Aww, man! Bart Simpson joins Barbie in Iran ban”).

All 5 members of the Simpson family from the animated sitcom, "The Simpsons".

This fear of an animated television show corrupting the Iranian youth parallels a great deal with the comic book scare of the 1950s in America. In the 1950s, many adults feared that comic books were negatively influencing the younger generation, as was mentioned in David Hajdu’s The Ten-Cent Plague. Hajdu quotes a statement made by Chief Chris K. Keisling: “They [mothers] are helpless to protect their children from the lurid booklets through [which] cavort half-nude women…[and which]…belittle law enforcement and glorify crime” (Hajdu 89). American adults feared that adolescents were easily influenced, and thus believed that the content and values found in comic books resulted in misbehavior and juvenile delinquency. As a result, attempts were made to ban certain comics books and write up legislation that controlled the content written in them. This is quite similar to the current events taking place in Iran, which are driven by Farjoo and others who share his concern with “The Simpsons”, and their potential to corrupt the Iranian youth by instilling values that are disagreeable with those of the Iranian culture.

Iran has taken further action to protect their traditional values, such as their previously established ban on the importation of Barbies. The apparel, or rather lack of apparel, worn by Barbies differs a great deal from the traditional dress code of an Iranian woman; the article states: “The American doll’s full figure and revealing wardrobe particularly offend Iran’s leaders, who decree that women must be fully swathed in loose-fitting clothes in public” (“Aww, man! Bart Simpson joins Barbie in Iran ban”). The Barbie doll is offensive to Iranian officials who do not want to risk young girls being influenced by their half-dressed Barbie doll, for fear that such a toy might prompt girls to question or even rebel against the conservative dress code that their culture expects of them. Sharing the same concern, the Hajdu passage mentioned above addresses the American adult concern with the images of scandalously dressed women that adolescents were exposed to in comic books.

Both the Iranian adults of today and the Americans of sixty plus years ago share the belief that some object of pop culture, whether it be television shows, dolls, or comic books, are having negative impacts on the younger generation. Neither culture, American or Iranian, would or will stand by and allow these pop culture sensations to “brainwash” their youths into acting in ways adults perceive(d) to be shameful without putting up some sort of fight to try and stop it.

Shirley Smiles

The Baby Burlesk short films of the 1930’s starred America’s favorite child actor, Shirley Temple.  Released in 1933, Polly Tix in Washington features Shirley Temple as a “strumpet bent on seducing a senator”; she is essentially a call girl (131).  The short film includes adult themes such as political corruption, seduction, and bribery, played out by children of a very young age.

Screen Shot. Shirley Temple starred in "Polly Tix in Washington," released June 4, 1933.

In John F. Kasson’s piece, “Behind Shirley Temple’s Smile:  Children, Emotional Labor, and the Great Depression,” he states that these “children literally go through the motions of adult characters without, presumably, comprehending anything about the drama they are enacting” (131).  While viewing a few of the Baby Burlesks, I felt somewhat uncomfortable with the scenes being played out.  Even the way Shirley Temple struts across the stage suggests a level of flirtatiousness that seems highly inappropriate; not to mention her seductive walk is always directed toward her boy counterpart in the films.  The Polly Tix short displays Shirley Temple in a black lace skimpy outfit, dripping in jewels, and using her body and flirtation skills to sway the opinion of the new senator.  She also brings along a decadent cake to aid in her persuasion.  One scene shows Shirley feeding a piece of cake to the young senator; she literally had him in the palm of her hands.  Actions such as these play into the innocent act of young children enthusiastically shoveling delicious desserts into their mouths using only their hands, but on the other hand, exudes a level of maturity/intimacy usually reserved for adult interactions (similar to the bride and groom hand-feeding each other their first piece of wedding cake; it’s a somewhat sensual event).  Although it’s humorous to watch Shirley win over the senator with cake and her sultry antics, the underlying message endorses seduction as an acceptable way of obtaining what you want.

Vicarious Consumption: 20th vs. 21st Century

In “Modern Childhood, Modern Toys” Gary Cross discusses the family indulgence of expensive and luxurious gifts during Christmas. Without a doubt, the idea of Christmas and Christmas spending today follows through with Thorstein Veblen’s thesis on “vicarious consumption.” I would even argue that Cross’s explanation on “vicarious consumption” is more so present within the twenty first century than so in the twentieth.
With the rise of technology and advancement of modern day toys, prices continue to rise for even the simplest of gifts. Most parents who can afford expensive gifts are willing to pay. As a prime example of a simple gift gone expensive I have included two pictures below, one of an early, simple twentieth century teddy bear next to one of the most popular teddy bear’s of today, the Build-A-Bear. The Build-a- Bear workshop is a for sure stop for parents during the Christmas season, with bears that talk, sing, and even dance; they are a for sure hit with the kids. But these fancy styled bears come at a price a lot higher than that of the twentieth century teddy bear. With the ability to build, clothe, insert your voice, and include an entire accessory set, the spending possibilities are endless in this “teddy bear wonderland.” Christmas is a perfect excuse for parents to spend more than a hundred dollars on a teddy bear (including accessories and stuffing). Gary Cross agues in “Modern Childhood, Modern Toys” that “trends favored the practice of purchasing toys rather than making them” (59) but with the invention of build-a-bear, parents are able to both make and buy the toy. The idea of making versus buying is now all wrapped into one and it strengthens Cross’s arguments on “parents pampering children” and spoiling them to the fullest during the Christmas season.

20th Century Teddy Bear stamp

 

Beach Build a Bear w/accesories

Second Reading Journal Prompt: “Baby Burlesks” Revisited

To reply to this prompt, visit YouTube and watch another of Shirley Temple’s “Baby Burlesk” shorts (here is a link to the list of videos that result when you search “baby burlesk”; use your discretion to figure out which of these is actually a Shirley Temple short from the 1930s and which is a video of Christina Aguilera performing on “X Factor”).

In your blog post, summarize the content of the Burlesk that you watched, and tell the reader a bit about the movie that the Burlesk is supposed to be satirizing. Then, use your Burlesk to address some of the questions about child actors that John Kasson raises in the chapter that we read  (“Behind Shirley Temple’s Smile,” packet page 123) and/or some of the issues that we discussed in class after watching the “War Babies” Burlesk. For example, Kasson writes (on packet page 197): “Shirley Temple’s early roles were perched ambiguously on the cusp between innocence and flirtatiousness.” Use specific references to your Burlesk to analyze the way that Temple’s screen persona exemplifies this “ambiguity.” Or, on the same page, Kasson continues: “The intended humor of these shorts…rests on the difference between adult knowledge, desires, motives, and pleasures and childhood innocence.” How does your Burlesk exploit this gap between knowledge and innocence for the sake of humor?

Furbies

In 1998, the widely known childhood toy, Furby, was launched to the public. Furby was a furry hamster like robotic creature that could talk and turn its head and bat its eyelashed. Furbies had two languages built into them, furbish and english, and were said to speak less furbish and more english as they grow. Tiger electronics began selling these furry robots for $35 and as they became more popular around the holidays, some parents were paying up to $300 per toy.  At first they were a cute, fun, toy for children until they started getting labeled, “creepy,” and were becoming banned across America. As this toy grew in popularity, some could argue that it became a moral panic.

At the peak of the Furby’s popularity, rumors started spreading and putting a negative light on Furby.  Because it gradually learned english, adults were worried that the toy actually repeated words said around it. Some parents swore that their children were able to teach furby curse words for it to repeat back to them. Americans were saying that this toy is an “immediate and real danger.” The National Security Agency thought that when people would take the toys home, they would repeat secret information that they had heard. Some bloggers even said that Furbies were a “chinese spy targeted at the youth of America.” With negative headlines labeling these toys as dangerous and creepy, they were quickly removed from homes across America.

At this time, some Americans believed that Furby was a threat to social values, while others argued that it was an innocent toy. Parents argued that children were taking an interest in learning new curse words to teach to their toy and Americans were worried that their private information was being stored in Furby. While these rumors were eventually proven as false, there was a period of time that Furbies caused a moral panic throughout America.