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Mar 9

Are “Snacker” and “Lead Bottom” the real villains in Disney’s “Habit Heroes” exhibit?

Snacker, Lead Bottom, and Glutton of Disney's recently closed "Habit Heroes" exhibit

Last week yahoo posted an article in its news section addressing the recent closing of Disney’s “controversial fat fighting exhibit” entitled “Habit Heroes.” The exhibit was originally produced to raise awareness and “fight” childhood obesity. The exhibit included cleverly named super heroes “Will Power” and “Callie Stenics” to fight the not-so-cleverly named evil villains “Snacker,” “Lead Bottom” and “Glutton.” The yahoo article says that the criticism for this exhibits roots from its “potential to shame overweight children and misrepresent the causes of the global obesity crisis.”  The story uses the words of respected bariatric surgeon, Yoni Freedhoff, to argue that there is indeed a problem within the health realm of children but offensive games that bluntly make fun of and stereotype the personalities of overweight children is not the way to handle it and unfortunately it makes Disney the “schoolyard bully.” The article closes with health statistics for U.S children and the main causes addressing the closing of the exhibit, including a petition that was signed by 300 protestors before it’s closing that argued “the attraction and game feature negative stereotypical characters, traditionally used to torment overweight kids, and will potentially reinforce and strengthen a cycle of bullying, depression, disease, eating disorders and even suicidal thoughts.”

The lecture from Wednesday’s class addressed candy and sweets and how they get into the hands of children.  Clearly, the problem of overindulgence in sweets and unhealthy food in the current generation of children is a problem considering the many statistics outlining the rise in childhood obesity. I agree with the above yahoo news article that the problem should be addressed but Disney failed to do it in a respectable and considerate way. All in all, I don’t believe the bad diet of many children is their own fault so why should Disney encourage others to see overweight children as ugly, disgusting and lazy, much like “Snacker” and “Lead Bottom”? As discussed in class, the chances of children these days to spend their money on candy is a lot less likely and ironically, it was mentioned that the institutions, such as schools, that stress most about concerns of childhood obesity are the places in which children are most likely to receive unhealthy food. If big companies, such as Disney and Blue Cross, are willing to spend millions of dollars on exhibits and programs that stress childhood obesity then maybe they should am their arguments at the adults that provide children with unhealthy and be both considerate and aware of the effects in will have on current children struggling with obesity. I believe it to be a hard situation to handle but hope that big companies will be more considerate of their affects next time they decide to open such a controversial exhibit.

They have recently canceled the site where you could see and read all the characters of Disney’s “Habit Heroes” exhibit but check out the bottom of this linked blog, The Weight Loss Rollercoaster, to check out a couple of the villain characteristics.

 

Mar 9

Barbie Hotel

Barbie Explosion

Barbie was a huge part of my childhood, like many other girls. The doll, launched in 1959 and beloved ever since, comes with many different variations of skin color, career, and clothing options. It is widely available in toy stores and even grocery stores. My journey with Barbie began quite simply. My mother got me a Barbie doll when I was 4 or 5. For Christmas and my next birthday, I asked for a few modest accessories so that I could enjoy a few different adventures with my Barbie. Next, I began seeing commercials featuring the rest of Barbie’s family: Ken, Skipper, and Kelly. Of course, I had to have them all. How could I let Barbie live her life alone?! Pretty soon, Barbie needed a van to get around with her new family, but Ken didn’t like the van, so he needed his own Jeep. When Barbie’s first movie came out, I needed a whole new set of Barbies to live out the Rapunzel story. My old dolls already had a life I couldn’t take them away from. My parents and other family members gladly obliged my Barbie fantasies for years, but the final straw came when I got the Barbie Hotel. It cost over $100, had an elevator, and working telephones. I had never considered Barbie needing a hotel until a slew of commercials came out telling me I needed it. After that, my mom said I would have to make do with what I already had. She was sick of me seeing new commercials every day and deciding I had to have the latest item. Although Barbie does not classify as a PLC (program length commercial), I think the popularity of the Barbie movies, and the heavy advertising (a Barbie commercial ran during every kid-related show I watched, and it was usually more than one) would lead to the same effects as a PLC. It did for me. The article we read was titled “Spinning out of Control”, and that’s exactly what happened during my childhood. I started with one doll, and ended with a van, jeep, VW Beetle, 2 houses, a boat, a hotel, over 20 different dolls, and enough clothes and accessories to fill a real closet. It was never enough. That’s the type of environment PLCs and heavily advertised toys create.

 

Barbie Hotel

A picture of the Barbie Hotel, the final item of my Barbie Collection

Mar 9

He-Man the Master of the Universes

Ileena Drinking the magic potion. He-Man the Master of the Universes Season 1 Ep 16

I recently watched an 80’s episode of the show He-Man the Master of the Universe called “A Friend in Need” on Hulu.com.  In the episode, He-Man’s friend, Ileena, lacked self-confidence and wanted to be stronger and braver. Her weakness was vital to the evil sorcerer, Jarvan, who was looking to seek revenge at He-Man. Jarvan, disguised as a kind old lady, befriends Ileena and provides her with a  magic potion that will make her feel stronger and more confident. The magic brew works wonderful when you first take it but after it wears off it makes you feel weaker and craving even more. Unaware of the side effects, Ileena takes the illusive potion and finds herself doing things she never had the courage to do before. While under its effect, she almost crashes her father’s flying car. Soon the young girl becomes addicted to the magic mixture. When she tries to get more from Jarvan he tells her she has to do something for him before he can provide her more. She must steal the transmutator that her father has invented. The transmutator is a machine which turns anything into whatever you desire; in the wrong hands it can cause great evil. This is something Ileena would have never done but she finds the addiction to the potion stronger than her will and decides to do as Jarvan asked. Once she gets the transmutator and hands it to Jarvan, he finally reveals himself and Ileena realizes she has made a grave mistake. After clearing her head, Ileena confesses to her father and friends what she has done and has He-Man come and save the day.

At the end of the episode He-Man speaks about the moral of the clip and how the potion compares to drug use. He explains about how drugs are bad for you and your health no matter what other people say about them. Gary Cross’s theory about how children are not being taught to be better adults like “the dolls and play sets that encouraged girls to act out their mothers’ role” (pg 290) did, is not applicable in this episode. Even though the episode did not prepare or teaches children about their adult roles, it does capture a significant problem in life, drug abuse. Drugs have been around since the 19th century and continue to be embraced by more people since the 1960’s when marijuana, amphetamines, and psychedelics entered the market. The epidemic for drug abuse and addiction is a continuing problem our government struggles to keep under control. Children must be made aware of the seriousness of this issue so they do not fall victim like Ileena did.

Mar 9

Sweetening Our Children’s Future

Junk food has become a hazard to the American diet. Many say that parents are setting their kids up for failure by allowing them to eat sugar packed processed foods. Poor diets and too much sugar have been known to cause a slue of problems to children’s health including obesity, diabetes, and, as some bloggers say, lowered IQ. With this becoming such a huge issue, much legislation is trying to be passed limiting food producers ability to advertise for junk food.

In Maren Stewart’s article “Sweetening Our Children’s Future: Addressing Junk Food Marketing,” she lays out how big of an issue this has become, the impact of marketing, and how American’s can help. She provides the statistics that one out of three American kids are overweight or obese. As far as junk food marketing goes, Maren states, that children who were exposed to junk food advertising consumed an average of 45% more than children who viewed other advertisements. She also gives suggestions like asking grocers for a candy-free check out line and talk with kids about food marketing and encourage them to make healthy choices instead of giving in to the cartoon or celebrity on the box.

Although we probably won’t see a change in junk food advertising anytime soon, these numbers put it into perspective just how huge of an issue this is on American children. Many people argue that it is not the government’s place to step in and tell Americans how to eat and what to eat or that there are more important issues for the government to address right now. Personally, I agree with Maren that this has become too large of a problem and intervention is needed. It is parents responsibility to make sure that their children live a healthy life and if they are not going to do that, there needs to be an outside force to step in. This issue has nothing to do with American freedoms, but rather saving our children from life threatening illnesses.

Mar 9

Hello Kitty’s Furry Tale Theater: Peter Penguin

Image from Amazon Instant Video

“Hello Kitty” started out as a brand in Japan in 1974 and was then brought to the United States in 1976. This brand expanded, which lead to the television show in 1987, Hello Kitty’s Furry Tale Theater. This television show is based off of children’s story books and movies. In the episode, titled “Peter Penguin”, Hello Kitty starts off backstage of the performance asking My Melody if she had gotten her wings ready for the performance because she’s Tinker bell. In next clip, Grandpa Kitty is working on My Melody’s wings, but he is puzzled on which way he should turn the knob, and My Melody comes running in grabbing her wings before Grandpa Kitty could finish the tweaks on them. The play then starts by Hello Kitty and Chip, her brother, playing pirate ship by throwing pillows. Hello Kitty then states that she gives up and her brother Chip says, “Peter Penguin would never give up!” Peter Penguin then emerges through their windows and asks Hello Kitty and Chip to help him with his mission because they are believers. The only restriction when they go to Never say Neverland is to never say “never”. Then it moves to the next clip where Tinker bell is captured by the cat, Captain Claw, who is supposed to depict Captain Hook in Peter Pan. Peter Penguin then flies to Captain Claw’s ship with Hello Kitty and Chip to try and save Tinker bell. There is then a battle with Captain Claw’s army by throwing pies at Peter Penguin and his gang. Peter Penguin and his gang are then captured and are in need to being freed.  So Peter Penguin then tricks Captain Claw into saying the word “never,” which then makes the earth destroy itself. Peter Penguin then rescues Tinker bell, but she isn’t waking up so Peter Penguin tells Hello Kitty and Chip to wish her well. In the end, Tinker bell wakes up well and then Hello Kitty and Chip returns back to their home.

The episode that I have summarized above is a typical “Hello Kitty” episode. Thus, it exemplifies Gary Cross’ idea of PLCs as a “fantasy world”. Cross says, “The old view that children should learn from the past and prepare for the future is inevitably subverted in a consumer culture where memory and hope get lost in the blur of perpetual change” (290). The whole plot is based on a fantasy world which is unrealistic, and throughout the whole episode there was not any relation to preparing children in the real world. The episode had animals talking, animals flying, as well as pirates and a land beyond the world. Therefore, I would agree for the most part with Cross’ concept of children not being able to learn major lessons through these fantasy PLCs.

Mar 9

Sanrio: Friendship Characters

Ah, Sanrio. The company behind Hello Kitty and all those other Japanese kawaii characters. Everyone knows who Hello Kitty is, however I may have had a slightly different experience with Sanrio characters because I spent every summer of my childhood in Hawaii. Hawaii has a very large Japanese population, and Sanrio is a very Japanese phenomenon which became wildly popular among children in America, but especially children in Hawaii. I, like all other children in Hawaii, owned numerous items covered with images of these characters. I remember loving my Keroppi lunch container and taking it to school with me every day, using my Hello Kitty chopsticks and plastic-ware often at dinner, wearing my Pochacco shirt to summer camp, writing in my Little Twin Stars notebook, and drinking out of my Chococat mug. Every drugstore in Hawaii has an entire aisle devoted to Sanrio characters. I remember whenever I would go with my mom to the store, I would spend the entire time walking down the Sanrio aisle and begging my mom to buy me a toy or some new item with a Sanrio character printed on it. There was an entire Sanrio store in every mall and I would visit it with every mall excursion. Even when I got older, I still looked upon the Sanrio characters with a smile because they reminded me of summer and my childhood.

Sanrio products similar to ones I owned in the 90's

According to Sanrio’s website, the company “was founded in 1960’s Japan by Shintaro Tsuji, whose simple dream of bringing smiles to people’s faces, grew into the brand’s ‘small gift, big smile’ philosophy”. An online company history of Sanrio states that the company launched the Hello Kitty character in 1974, originally aimed toward girls too young for barbies or similar toys. This spread beyond the intended age group partially because it tapped into the Japanese ‘kawaii’ trend, the obsession with cuteness. They sell anything from tiny toys, erasers, and candies to big things like suitcases, golf clubs and TVs, all with an image of a character and the brand-name pasted on each item. In 1976 the company set up a base in San Jose CA as a result of growing popularity in the U.S. and set up licensing agreements which brought Sanrio characters into toys included in McDonalds children’s meals. In 1988 Sanrio came out with its first boy character, Keroppi the frog, whose success caused the creation of new gender-neutral characters to bring boys into the market. In the early 90’s, two theme parks were built to keep up with the craze: Puroland and Harmonyland. Sanrio also created TV shows in the 90’s based on Hello Kitty and friends.

I never knew the friendship stories behind the characters, and I never watched the TV shows that accompanied them, but I still loved the characters anyhow. Sanrio characters play into the idea of the PLC, or “program-length commercial” mentioned in the Spinning Out of Control (Gary Cross) reading. Cross says, “These programs were ‘originally conceived as a vehicle from providing product exposure to the child audience’” (295). by providing an extensive story and extra characters around the Hello Kitty trend, the TV series surrounding Sanrio characters served just to market more toys and items with the brand to children. Cross also talks about the problem this causes for parents: “PLCs stacked the deck against parents by manipulating young children into wanting a particular toy while ostensibly entertaining them” (296). The Sanrio characters also show the idea of how toymakers “also shaped little girls’ play around licensed characters and fairytale story lines” (299).  In these characters and storylines, most of the time characters “worked together for the common good and did so in a world largely free of adult authority” (300). The Sanrio characters seem to follow the trend of Strawberry Shortcake, Care Bears, Herself the Elf, and other ‘friendship’ characters of this kind of formula.

Mar 9

Chewing Critters

When I was younger I used to love all of the Trolli gummy candies.  They were always my favorite type of candy – I loved gummies and I loved sour candy, so it combined the best of both worlds for me.  They were sold everywhere and they were cheap.  While there were always the classic “O’s” (apple, peach, melon, etc.) they also marketed their candy as bugs and critters for kids to eat.  There were the Trolli “Brite Octopus” as well as the “Brite Crawlers.”  Not only did they have these critter candies, but they also made “Brite Crawler Eggs” – they marketed the eggs of these critters.  In theory, this is pretty disgusting to think about.  However, when I was younger and I got these kinds of candies I never thought about what the gummies represented, I simply ate them because they tasted delicious.

I never really thought about it until I read Confections, Concoctions, and Conceptions by Allison James and we discussed it in class, but there really are a lot of gross candies that kids eat.  Whether they are gory (fake blood), dirty (bugs and critters), or just plain gross (scab candies, feces candies, etc.), the people in the marketing of these companies may have struck gold.  Kids tend to like and do what is usually not socially acceptable (eat bugs, not have good hygiene, etc.) simply because most kids find it somewhat amusing to see the reactions of adults when they do things wrong.  These candies cater to this quality in the kids, however it is very subtle, as most people do not even think about it.  Most people just think of them like any other gummies or candies, but they attract the kids’ attention by reaching the desire to rebel within them.

Trolli Sour Brite Crawler Eggs, www.hunch.com

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