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Learning in front of a screen

After reading Bradbury’s “The Veldt, I’ve become very weary of the idea of a virtual environment, and upon reading an article on a CNN blog about the growing popularity of virtual classrooms, I was not excited. The article   looked at a seventh grader who utilised a virtual school system to accommodate her rigorous ballet rehearsal schedule. The virtual school was run by K12 Inc., one of the largest virtual teaching companies that creates curriculum for students from Kindergarten through High School. The virtual classroom is mostly used for students who need to work around a normal school schedule, are falling behind in regular classrooms, or just simply don’t fit in a standard setting. The article goes on to question the value of virtual classrooms, considering concerns of socialization, educational achievement, and funding.

From my perspective these virtual learning environments are lacking several components that are key to student development. The most obvious thing missing from this virtual equation is the socialization that is inherent in a “brick and mortar” school. As Chudacoff states in his piece on children’s play, schools are the “incubators of peer groups” and are incredibly important in the socialization of almost all American children. The student interviewed in the article meets with other students once a month, but this is far to little in comparison to the way traditional school systems expose students to others. Another “life lesson” taught in school that doesn’t translate virtually is the idea of discipline that reflects a work environment, such as prompt attendance and rule following. Although the value of these lessons can be contested, their connections to most work environments cannot.

But perhaps the way the 21st century is headed, more and more towards digital environments, having children sit in front of a computer screen for twelve years may not be so different from the way the rest of their lives will look…

Technology in Today’s Toys

According to the article “Go Directly, Digitally to Jail? Classic Toys Learn New Clicks” (Stephanie Clifford, the New York Times, Feb. 25, 2012), retailers in the toy industry are beginning to modernize classic toys by integrating technology into them. Despite the fact that Barbie, Monopoly, and Hot Wheels have sold millions throughout past generations, retailers feel the need to modernize these classic toys. Monopoly can be played on a digital tablet that can count the money, taking away the pain of all the simple math. An iPad screen can now be used to watch Hot Wheels blaze across the track, as if imagination wasn’t enough. And Barbie? Oh, she just has as a camera embedded in her stomach, which allows children to take pictures and even transport the storage files (with the help of parents.)  The cause of these technological advancements is said to be a result of a disappointing 2011 for retailers, including Hasbro and Mattel, as children are wanting more tech-savvy toys, such as the LeapPad LeapFrog Explorer. John Alteio, director of toys and games for Amazon, says the reason kids want modernized toys is because they want to play with toys similar to the gadgets they see their parents using. While many toy retailers are beginning to modernize their toys, some critics think that the trend will soon fade away due to the high price of the toys compared to the toys that are cheaper because of the technology they do not possess.

This ties into our reading of Bradbury’s “The Veldt” focusing on technology taking over children. This is because children are beginning to lose their imagination as technology becomes more and more prominent in their lives. They are upset if they cannot have their tech-savvy toys, such as when the parents take away the technology from the kids in the short story. In order to steer our young generation in the right direction, retailers need to decrease the amount of technology in toys or, like in the story, a bad ending may be inevitable.

Video Girl Barbie

T.V. is Wack, T. V. is Cheap

Young children today are impressionable. They form habits based on what they see and hear others around them do or say. As Television and other media devices become more available to children, this means that they gather information from a wider variety of sources. Though, the information they gather from these sources may not be in the best interests of young children.

 

In my classmate’s post regarding the reading journal prompt “Kids and T.V.”, Morgan Manuel has found an article that expresses some of her mutual concerns about the negative effects television has on young children as they form habits in the early stages of their lives. Her main worries she shares with the author of the article are (1) that television conveys a message of violence toward young minds and can potentially be imitated, (2) the presence of sexual content exposed in certain television programs and (3) that children form unhealthy habits or become lazy as a direct result of watching too much television.

 

Morgan has connected her points to examples present in Ray Bradburry’s The Veldt in the course reading packet. She makes valid points about how the violence present in television today is related to the violent acts experienced in the futuristic house, the setting of Bradburry’s short story. Also, Morgan also points out the effects of laziness that television has on children when she connects the laziness and dependence on the nursery that has driven the children in the story to murder their parents to ensure the safety of their lazy ways. The children are disrespectful, defiant, and even harmful to their parents.  Although I could not find instances of sexual behavior blatantly expressed in the text, Bradburry explains that the electronic room in the story became a channel towards destructive thoughts for the children (167).

 

Here is a little anecdotal aside about Kids and T.V. courtesy of Willy Wonka and the Oompa Loompas.

Goodbye Bear (In the News)

The Associated Press report in their creatively titled article “Berenstain Bears Co-creator Jan Berenstain Dies” that Jan Berenstain, one of the creators (the other was her husband Stan) of the beloved Berenstain Bear book series has passed away. On Thursday Feb.23, Berenstain suffered from a severe stroke which ultimately resulted in her death, at the age of 88, on Friday.

Selling over 260 million copies from it’s start in 1962, the Berenstain Bear book collection was often applauded for educating, and soothing, children on common childhood concerns “like dentist visits, peer pressure, a new sibling or summer camp.” Prior to this series, however, the couple made quite the lucrative living by participating in another popular children’s medium, comics. The Berenstain couple was well known for their children targeted comic, “All in the Family”, which ran in magazines such as Good Housekeeping and McCall’s.

Mike and Leo Berenstain had recently collaborated on a few books with their mother that also tackled the modern issues of “online safety and childhood obesity” and furthermore reenforce their mother’s lifetime of making children happy through her own love of writing. Because of his mother’s desire to continue this type of entertainment for children, Mike also says he will maintain his illustrative an writer’s position with Berenstain books.

This connects so closely with not only our continuing theme of whether or not different popular mediums are successful at teaching kids educational tools as well as moral values conducive to Western culture, but it also lets the reader know just how influential the comic book industry was. It provides a stark contrast to what critics of comic books maintained about the lack of moral content in this type of reading. It has also now been picked up by PBS as an educational show for children of younger ages.

 

The Berenstain Bears and Too Much TV, book by the Berenstain family

 

Wringer

The first book I remember reading cover to cover (without being required to), was Wringer by Jerry Spinelli, published by HarperCollins in 1997.  It tells the story of ten year old Palmer LaRue, who is faced with a moral dilemma.  In Palmer’s hometown, it is a tradition for all the boys who have turned ten to wring the necks of injured pigeons on Pigeon Day. Thousands of pigeons are released and shot as a way to raise money for the city park. This is considered an honor and a rite of passage for the boys. Everyone around seems to be looking forward to it, except Palmer. The idea of it tortures him; he is taunted by the thought.  He even ends up taking in a pet pigeon, who he names Nippy. The only person who knows about his new pet is Dorothy, his best friend, who is also against the festivities on Pigeon Day.

Palmer fakes enthusiasm to fit in with his guy friends so that he is considered “cool”. On Pigeon Day, Palmer finds out that Dorothy accidently let Nippy out of his cage near the area where pigeons are captured for the festival. Palmer rescues an injured Nippy from the shooting zone in front of the entire town. The story ends with a little boy, while watching Palmer, tell his father he wants a pet pigeon.

We have talked a lot in class about the gender roles in children’s toys and books. This book is the exact opposite of the gender focused books described by Elizabeth Segel. Palmer is not very adventurous and he relates more to his best friend Dorothy than the popular boys in his class, Mutto, Henry and Beans. There is definitely male focused comedy associated with these three boys, (bathroom jokes, etc). The combination of the soft thoughts of Palmer and the rowdy boys in his class allows for this book to be appreciated by both boys and girls.

I never understood until recently why this book meant so much to me. At the point when I was reading this I was eight years old, so I did not think much about it. Looking back today I realize it is because the story is about a boy who does not fit into his society’s idea of what a boy should be or act. I was a girl faking it with my friends and family, though I did not know why. Now I know why I felt so different, I am gay. Palmer’s story of fighting for how you feel inside, even though everyone around you may reject you, is something that sticks with me to this day. This book bends the gender roles we have established for our children. It says: be who you want to be, no matter what the world is telling you.

Hollywood Harms Youth’s Health?

Parents, activists, and numerous other adults have been afraid of the corruption that media such as comics, television, and movies have on the youth that they are aimed towards.  David Hajdu’s The 10 Cent Plague was all about the moral panics and issues that comic books caused throughout the United States.  In Chapter 5, Puddles of Blood, Hajdu talks about the shift in superhero comic books to crime comics.  When this change came about, many people were outraged and did not like the idea of kids reading about crime (granted they were aimed towards young adults, not young children).  People were afraid kids would start acting on the things they read about.  They were worried the youth would become a violent and immoral generation.  While these youth (now adults) did not grow up to be extremely violent people, we still have similar issues with today’s culture.

Hollywood is responsible for just about everything we see on television and in movies.  Lots of adults still worry about the violence and gore involved in these movies, but we have developed more recent panics.  One of the most often talked about: smoking.  Just about every movie or television show aimed at teenagers or older has a plethora of scenes in which people are smoking.  More specifically: young adults.  You may not always notice it (because it is so commonplace most people tend not to think about it), but it is definitely there.  Many adults think that kids will take after the actors they see and pick up the harmful habit of smoking.  This frightens parents the most.  A lot of parents don’t address this issue, while some parents simply talk to their kids about it.  Others, like the ones in Saratoga, Warren, and Washington counties in New York will take action.  Last Wednesday, 300 adults and children gathered at a movie theater in Clifton Park, New York for “The Smoke Free Movies Initiative International Week of Action” – an anti-tobacco campaign lead by the youth to teach the youth.  For some kids, it is easier to listen to someone they can relate to more (around the same age) talk about these kinds of things than adults, who may seem old and outdated in their thinking.

http://fortedward.wnyt.com

While I do agree that smoking is bad for your health, I do not think that these images in movies and television shows lead kids down a path to smoke.  It is important for these organizations to be running anti-tobacco campaigns, targeting movies and television may not be the best strategy.  I have found that the majority of young adults tend to pick up smoking from peers at college, rather than from the images that Hollywood engrains in their heads.  If these organizations could find ways to bring these campaigns to campus’ around the country, that may be more effective than to high school and middle school age kids.

Television vs Parents: Which Carry Greatest Influence on Children?

   

According Writt, Children watch TV more than doing anything else besides sleeping.

    Susan D. Witt is a professor in the School of Family and Consumer Sciences at The University of Akron where her courses of study are among the topics of “Developmental Parent-Child Interaction“ and “Child Development.”  She has numerous publications concerning gender bias influences on children; however her most controversial influence, in my opinion, is her depiction on the gender bias influence of Television.  At the start of “The influence of television on children’s gender role socialization,” Witt attributes multiple factors of society to have an influence on what our children decide to internalize such as: Parents, Media, Schools, Family, and the Society they live in.  Only, Witt focuses primarily on Television’s influence as she goes on in her writing.

   According to Witt’s research cited in her publication, children tend to “spend more time watching Television than doing anything else except sleeping.”  Children are exposed to hours of sex, crime, and violence driven scenes.  She describes women being depicted as “passive, indecisive, and subordinate to men” and conversely, men are show to take more initiative, more of a problem solver, and also more powerful than their female counter parts.  Witt then inserts a list on what the National Institute of Mental Health has determined gender bias in television to later strengthen her argument as she goes on to describe different cartoons and shows and how they portray gender to further perpetuate society’s bias. 

   Witt’s argument on the effects of Television in the media shows how much research has been done on the topic as she uses much citation throughout her article.  Since Television first started reaching the medium of society, “educators, citizen groups, the clergy and other social organizations have attacked television for its unwholesome effects on children” (Spigel, 144).  According to Spigel, television perpetuated the notion that women belong in the home or employed as nurturers and caregivers.  Spigel then chooses to speak about Bart’s character in The Simpsons, but he never touches on the fact that Marge and Lisa are depicted as more intelligent than the male characters. 

   I think Witt should of incorporated more of what these production companies felt about their gender bias influence on children or whether they even feel they are responsible.  Howard P. Chudacoff’s publication, “Children at Play,” does so more effectively as he summarizes the debate between companies and society’s feminist.  Companies had a different outlook, that children choose to watch shows that were already perpetuated in their home and the society around them.  The feminist however would disagree stating in Witt’s writing, “TV programs has the effect of creating artificial gender differences in children’s behavior. (Chudacoff 180-81) 

   Maybe the production companies are right.  Maybe feminist should worry less about what is aired on television and concentrate more on what is perpetuated and taught at home.  As a child, I saw everything from the good, the bad, and the ugly on television, but my mother made sure I knew right from wrong.  She would watch programs with me and tell me, “that doesn’t really happen in real life” or even “you could do that if you wanted to.”  The exposure did not hurt me, it helped me.  It, along with parental commentating, gave me tons of examples of what was realistic and unrealistic in the world today.  Do I believe it is worth the effort to raise awareness about what is on television?  Not exactly, however I do believe we should raise social awareness for the actual people in society interacting daily with our youth.